So last week the season final of The Walking Dead aired and, in typical Walking Dead fashion, it was filled with potential but never really delivered. Clearly, there are some obvious solutions that would enhance any episode, such as killing Carl, killing Lori, killing Carl again…
But let’s focus on the specifics. I’m going to fix the episode in two simple steps and lay the groundwork for the next season…while not killing anyone. For reals. Obviously, this is about the season finale, and so if you haven’t seen that episode, here there be spoilers. Also, while I’m looking forward to reading the comic books, I haven’t gotten The Walking Dead Compendium yet, so don’t look for any overlap. Let’s do this.
One of the main problems of the series is that we don’t know much about any of the characters (and care even less). I’m reminded of Plinkett’s epic reviews of the Star Wars prequels, where he asks fans to describe classic Star Wars characters without referring to their occupations or physical appearances. After describing Han Solo and C-3PO, Plinkett asks these same people to describe Qui-Gon Jinn and Padme Amidala. Not surprisingly, the fans with tons to say about Han and C-3PO were at a loss for words with the prequel characters.
You could do the same thing with the Walking Dead cast. Quick, describe T-Dogg, but you can’t use the term “black.” Describe Carol, but you can’t use the term “mother.” Hell, tell me how many people were living on the farm when Carl was first shot (“Let’s see, there’s Herschel, Maggie…Otis….ummmm…).
Unfortunately, most of the characters we can identify don’t fare much better (describe Lori without using the terms “nag” or “shrill”). Why is this? Well, it’s simple: We don’t know anything about them. One of the best shows ever in terms of character development is LOST. Each week, we spent an episode getting an in-depth look at one character (“This is going to be a Sawyer episode”). Initially, this was so we (the audience) could see how the characters behaved before the crash, which informed the decisions they made on the island.
Eventually, the character flashbacks were less about plot and more because we cared about them. Dead tried this in the “Bloodletting” episode, where Lori had to tell Carl that Rick had been shot (and it gave Carl a chance to chew the scenery), but it was thankfully not attempted again, as it didn’t inform the characters or plot in any way. Overall, we’re expected to pick up character traits and flaws from arguments or half-baked philosophizing about the end of the world. Character development cannot be fixed in a single episode, but the season finale had serious potential. After a rousing display of nighttime gun battles and confusion, it seemed like the finale was off and running…literally.
In all the chaos, the farm posse gets separated into five groups: 1) Hershel, Rick, and *sigh* Carl 2) T-Dog, “Lori,” and Maggie’s sister (remember when we totally thought she committed suicide but she didn’t? Powerful stuff.) 3) Glenn ‘n’ Maggie 4) Andrea (a.k.a.: the real Lori) 5) Darryl and Carol In what is only slightly more likely than actual walking dead, everyone meets up back at the highway, even though this was never designated as the official fallback area and even though everyone seemed to drive for hours in opposite directions. Only Andrea didn’t show and, because they thought she might be dead, five minutes after everyone rolled in, they rolled back out. On the road again.
So what about this? The group gets separated…and stays separated. T-Dog heads for the coast (Lori optional), Glenn and Mags find some isolated shack and discuss whether they want to rejoin anyone, Rick and Hershel
kill Carl swap monologues, Daryl and Carol form some sort of elite walker-assassination unit, and Andrea just hangs out being awesome. Honestly, it doesn’t matter what they do. This would give us a chance to actually get some quality time with these characters and figure out what makes them behave the way they do. It would set up the entire third season as the group slowly joins back up, only this time they understand one another better (maybe even forming some unlikely alliances)…and so do we.
This one is more for me, and honestly I wouldn’t have thought of it if not for a user named Mentat on Fark. I had completely forgotten about it. I’m going to quote at length, as it was an excellent point:
“…My one major beef with this season is that the zombies have become the stereotypical generic shamblers. In the first season, the walkers were more tragic figures. Even though they were dangerous, they were once people just like the survivors and a great effort was made to present them in a softer light.
– Bicycle Girl, pathetically crawling through the grass to god knows where. Rick’s first task once he’s recalibrated, is to extend an act of mercy to this person he doesn’t even know. As she reaches out to him, you’re left to wonder if she’s trying to grab him or begging him to put her down.
– Before chopping up the Alley Zombie and smearing his guts on the survivors, Rick takes a moment to go through the man’s wallet. Wayne Dunlap, Georgia licence. Born 1979. He had $28 in his pocket when he died. And a picture of a pretty girl. It was a nice message to the audience as well as the survivors.
– The little girl zombie, picking up the teddy bear, given Rick one moment of hope that someone survived. – Morgan’s wife also seemed to retain some degree of her humanity. Somewhere deep down inside, she recognized the house and knew there was something in there that she wanted. The scene of her trying the doorknob and looking through the eyehole was haunting and I’m glad it was Rick at the door and not Morgan.
– With Amy, they avoided the “I’m a walker now and I kill you” cliche. Amy’s slow return amplified the tension, but it was the way she came back that worked for me. Instead of just lunging for Andrea, Amy reached up and seemed to caress her hair. You were left with the impression that she might have been trying to communicate with Andrea instead of killing her. They tried that sort of thing on occasion in Season 2. Sophia obviously, and Beth’s mom, though that was ruined by the cliched “Ha! I’m not really dead!” thing.
The zombies this season became the typical generic targets for the sharpshooting survivors who a week before couldn’t hit a swinging tree branch. Minor complaint, I know, but I think that trait they showed in the first season was what set TWD apart from other zombie takes we’ve seen.”
I remember the scene when that zombie woman cyclist (who I don’t think had legs) had pulled herself through the woods and fields into the middle of nowhere. Remember her?
In the words of Ted Mosby, that scene was hauntingly beautiful. This woman was a disgusting sight, and yet we felt sympathy for her. She was clearly trying to get somewhere, but wasn’t hunting anyone or anything. She was wildly determined, and even at the end you weren’t sure if she was overcome by walker instinct or if she was pleading for Rick to end it all.
I would have loved it if one of the zombies had shown some sort of humanity (maybe not during the attack on the farm, but a lone straggler later on). Even a brief moment would have made a substantial difference, and again set the scene for the third season. And yes, Walking Dead writers, I am available for freelance work.
I’ve written about March Madness before, and with good reason: It’s fantastic. Each year I makes sure to get back to Cbus, find a good bar with a ton of huge TVs and without a ton of jackasses (good drink specials doesn’t hurt either). I meet up with my college friends (we’re still surprisingly close), sit down at a bar, and just watch the chaos unfold all day long (don’t worry, we tip well).
Now, obviously I love watching the upsets and the excitement, but filling out the bracket is an essential part of the experience.
Currently, this is how our group currently runs our March Madness tournament: Points are awarded each round by the tournament seed of the winner times the round multiplier. The first round multiplier is x1, 2nd is x2, 3rd is x3, etc. We started this back in the days when we were all pretty poor (now we’re still poor, but we have jobs), and so the winner gets to select a season of a television series that each of the losers has to move to the top of their Netflix queue and watch it.
Obviously, the Netflix thing could get ugly (Season 5 of Full House, Season 6 of Dexter, Season 2,3,4, or 5 of Heroes…), but so far no one has abused it. In fact, it’s been a pretty great way to discover new TV shows.
But the method is more important than the prize. When it comes to filling out your bracket, forget the traditional approach where you just count up the number of games you got right–that’s a horrible way to do things. You get no reward for making bold choices, whereas some jackass who decides to go with all four #1 seeds making the Final Four cleans up.
The best way to do it is to multiply the round by the seed and add the total together. So if you have Duke winning it all this year, you would get a total of 15 points for that selection (#1 seed x # round and add them all together). However, if you correctly pick the #13 seed advancing to the second round, you get 26 points. In other words, you’re rewarded for bold picks and successfully predicting chaos, which this is really all about.
This year, we’re trying something a little different. We’ll keep the same format for one bracket, but this time around we’ll be using a second bracket as well.
Now, I completely agree that using more than one bracket is lame. I don’t care if you’re in four different pools–step up and submit the same exact bracket for each one. Believe in yourself!
For our second bracket, we’ll be using chance. Each of us will flip a coin for every game on our bracket. Everyone is allowed to have five vetoes, so if you get a horrible matchup (a 16-seed defeating a 1-seed). The vetoes could be tricky. After all, if you have a 3-seed getting knocked off by a 14-seed in the coin toss, do you really veto it? A 3-seed isn’t worth a ton, but a 14-seed could get a ton of points (especially if they go on a run).
This should definitely determine just who is the luckiest guy in our group. Netflix will be for bragging rights–the coin bracket will be for fun. I can’t wait.
I love movie trailers.
An awful movie trailer is something we remember because it’s just that: Awful. Maybe it was boring. Maybe it gave away the ending of the movie. Who knows? We just remember how awful it is, or forget it immediately.
A great movie trailer is memorable, not merely as an advertisement, but something that can stand on its own, even after watching the film that is being previewed. It truly is an art.
I try to incorporate what I love into class when I can, and the movie trailer seemed like a perfect opportunity. As part of broadcast journalism, students must create compelling, competent stories that encapsulate hours worth of interviews, footage and research in about a minute and a half. Plus, I needed them to get practice using Final Cut Express, so much so that they’re not thinking about editing at all–only content.
So the idea was simple: Have students watch a movie and edit it down into a trailer that is 2-2:30 minutes long.
When I initially came up with this idea, I had wonderful visions of wildly creative trailers where students could use their imaginations and create something amazing. Just like some genius did by re-imagining The Shining:
Unfortunately, the reality of technology makes this difficult. One of my friends taught a class on the movie trailer and had students edit together whatever trailer they wanted. Unfortunately, this meant that he had to upload about 20 different movies so that the students would have the raw footage to edit. If you consider it takes about 2-4 hours to convert movies to the proper format, and then another 1-2 hours to render the footage in Final Cut so you don’t have to re-convert it every time you open up the movie…well, that means anywhere from 60 to 100 hours of time just getting the movies in the proper format. Ugh.
So, I decided to limit things a bit so students could just select from a few films.
The key was that they still got to be creative which, in early journalism classes, can be tough. Hell, anyone can have students exercise their creativity in “Feature Writing” or “Opinion Writing.”
So, as I was saying, for this assignment students had to create a movie trailer. It had to be one of these three films: Planet of Dinosaurs, Kingdom of the Spiders, or Frogs.
Why these three movies?
2) These three are all available to view for free on YouTube, which means I don’t have to share one library copy or waste time watching three different films in class. Fortunately, thanks to the magic of the Information Superhighway, these are not like your typical YouTube films where they’re diced up into 10-minute increments (Millenials don’t have time for that!), but rather the complete films:
3) I didn’t want any students to be at a disadvantage. Let’s say I assigned students to create a movie out of The Shawshank Redemption. Maybe some students have never seen it (for shame), but for others it might be their favorite film of all time. That really wouldn’t be fair to students who haven’t watched it (or have only watched it once). This way, all the students start out on equal ground: They’ve never seen any of these films.
So I assigned this project and, a couple of weeks later, I had a dropbox filled with movie files.
These were my student trailers that really stood out. Even when there were some imperfections, I could still tell what the students were going for.
This first trailer is for Planet of Dinosaurs and it’s pretty straightforward, but he does a great job using the movie’s dialogue with music from a few different movies:
This next trailer is from the movie Frogs, which is a 1970s movie about man v. nature where nature fights back! Again, an overall solid piece where she incorporates great scenes from the movie with a good use of dialogue. The music is a bit familiar, but I think it works:
This next one was inspired by the fantastic Watchmen trailer. This is another trailer for Kingdom of the Spiders, this time with music. I appreciated the creativity. As you can see, the music fits and, at times, synchs up perfectly:
And this last one is also a Kingdom of the Spiders trailer (they just couldn’t get enough of the Shat!). He used the eerie music from the excellent, wildly depressing Requiem for a Dream. I wish the editing would have gotten crazier and more frantic as the music took off, but I love what he was going for here and thought the trailer was excellent:
The assignment served its purpose. I’ll be honest–the students weren’t thrilled about watching the actual movies (I’ll have to teach them to appreciate movies ironically), but they had a good time editing down the movies, exercised some creativity, and are completely comfortable with the editing software. I’m considering it a mission accomplished!
I’m proud to say that I was a Netflix fan from the beginning. It seemed like such a simple idea that I was sure they would botch it, and yet they didn’t…at least not until recently. I’ve been a loyal member for almost nine years, and I’ve survived their embarrassing blunders because, at the end of the day, it’s a hell of an idea and a great product. However, with each passing day, I’m less and less certain I’ll make it to ten years.
As I said, I’ve survived some mistakes on the part of Netflix, but not the ones you’re thinking of. Everyone flipped a collective shit when Netflix announced that they were starting up Quikster (easily one of the dumbest ideas I’ve ever heard) and doubling the rates by charging separately for Instant Viewing and for the actual discs. Honestly though, that didn’t bother me a ton–I ended up paying about a dollar or two more per month than I originally did, but that wasn’t a dealbreaker. They rolled out the idea in the worst possible way and the public relations side was a disaster, but again, it didn’t kill Netflix for me.
What bothered me was that stupid decision to eliminate the “Friends” tab, which allowed you to see how your friends rated movies. Apparently, less than two percent of customers were actually utilizing that feature, and so Netflix eliminated it so that they could devote more resources to making movies available instantly. This seems harmless, but it was actually a really damaging thing to do. I get that if it’s only being utilized by a small portion of your audience it might be best to cut costs, but there was no customer service involved and it seemed like a relatively easy program that kind of ran itself.
But the worst part about that move was that the two percent of customers using that function were the loyal, long-time users of Netflix. And this approach became the calling card of Netflix: Make a rash decision, don’t think about the consequences, and give no advance notice.
And now Netflix has made another dumb decision. According to several outlets, Netflix has announced that the company is stepping up the original programming because it is “Netflix’s natural direction to be bundled in an ordinary cable package someday and provide an ordinary sampling of cable offerings.” In other words, Netflix wants to become HBO.
This is depressing. I mean, I love Arrested Development even more than the next guy, but changing the entire business model that made you successful is the dumbest thing since those awful Miller Lite commercials (You know what the third unmanly thing you did today was? Drink a Miller Lite).
Look, it’s easy to forget just what a game-changer Netflix was when it came out. It’s not quite the iPod and definitely not Tivo, but I think what I loved the most about Netflix was the simplicity of the idea: Let’s mail out dvds and then have people mail them back to us. From the moment that iconic red envelope arrived in the mail, I was absolutely hooked because this was a new, innovative approach to movies. Hell, before Netflix you were stuck going to Blockbuster with their crappy selection and their ridiculous prices. Netflix changed that, and suddenly you could rent countless dvds for one low price (and the number of dvds I bought dropped dramatically).
Now it wants to be just another premium channel.
Look, Netflix, because I love you, I’m going to give you one of my Million Dollar Ideas. Ready?
One word: NetfliXXX.
That’s right–go for the porn.
Stop trying to pretend you’re some company with principles and values; you stream and mail movies. That’s it. Open the floodgates and go for broke with porn. It’s not really my thing, but I certainly wouldn’t drop my subscription if you did. Hell, due to your awful sense of what people will and will not accept, pretty much everyone who was going to drop Netflix has already dropped it. Set up NetfliXXX as a separate part of your company, throw some passwords on there, and you’re good to go.
Look, I’m sure some version of this exists somewhere else, but now you would have the Netflix brand backing it up, along with the discreet red envelopes. It’s perfect! Just slap a warning on there to not have kids rip open the envelopes without parent supervision, and chat up the importance of personal responsibility. Again, everyone who is going to leave you has already gone–now it’s time to win a few back.
Do it, Netflix. Then take the obscene amount of money you’ll make off this (you know you will), and throw it at those companies who won’t let you stream their content anymore (Showtime, Starz) or who never did in the first place (come on, HBO). Suddenly, you’re back on top, because people realize, “Hey, if I hop back on the Netflix trend I can enjoy adult entertainment as well as Game of Thrones.” It’s perfect!
Look, there’s still time to turn this around, Netflix, but you need to go back to what you do best: Take a simple idea that no one else is doing well, and then knock it out of the park.
I still believe in you.
There are three things I’m certain of in this world:
1) Helluva Good French Onion Dip is by far the best french onion dip on the market (and nothing else even comes close–if you even mention Dean’s french onion dip, I will ban you from the Internet!).
2) George Lucas could not have screwed up The Phantom Menace any more than he did. It is literally impossible to make that movie any worse.
3) You just finished reading my “Display Your Movies” post and, while you thoroughly enjoyed it, you’re longing for bonus entry about how to display your massive collection of monster movies.
Well, all I can do is “enjoy” for #1 and “plot” for #2, but I’m happy to help you out with the third one.
As I’ve mentioned before, I love love love classic monster movies, and have many more than I would like to admit. In my office, I actually have a collection of vhs (!) monster movies that I meticulously saved up for and bought as a kid growing up in Ohio. Why do I keep them? Well, it’s always fun to have my students try and figure out just what the hell a vhs is, after all the time I spent looking forward to purchasing them from Saturday Movie Matinee in the Richland Mall I can’t bear to get rid of them, and if I kept them at home I’m pretty sure Claire would make me throw them away (because honestly I can’t think of a reason to keep them–I already have practically all of them on dvd).
Don’t believe me? Check it:
If you squint, you can just make out a few impressive finds, including a colorized version of the 1956 Invasion of the Body Snatchers (more on that movie later) and a copy of Peter Cushing’s Island of Terror, which is not available stateside on dvd. Yes, you should be jealous.
Now, obviously I can’t display all of my monster movies in the living room. To be honest, you should only display about half the number of your other dvds in the living room. However, they’re important to me and I consider them part of my identity. So, I wanted to place a few choice movies in a cluster on one of the shelves in the living room. Just like my other movie display entry, I have some advice if you’re a bit nervous about the process.
And in case you’re wondering, here is my selection of monster movies currently on display in the Grimm/Odenweller house.
Just like with your regular movie collection, this is going to say a lot about you. If some monster movie expert comes to your house, you want to be able to impress them with your selection. Fortunately, I already had King Kong in with my other movie display, so I didn’t have to worry about it here. However, my all-time favorite movie is the original Invasion of the Body Snatchers featuring Kevin McCarthy and Dana Wynters. It’s absolutely wonderful, and I can’t wait for it to come out on blu-ray (currently, when I want to treat myself, I rent it in HD off of Amazon, like I’m some kind of animal!). However, I also included Forbidden Planet, It! The Terror from Beyond Space, and Mysterious Island as must-haves.
The monster movie fan club is an exclusive membership, and we can be a bit snobbish. Plus, if the casual observer glances at the collection, it would be great if they could recognize a few titles (then comes the nostalgia, and then they’re trapped!). For me, I threw in the The Blob, Creature from the Black Lagoon, The Day the Earth Stood Still, and One Million Years B.C. I think it’s a great way of connecting with people who have only a passing familiarity with this genre.
One of my favorite things about monster movies is that the names are so crazy and wild. You definitely want to showcase this, which is why I included some movies with really appealing titles: Attack of the Giant Leeches, The Crawling Eye, From Hell It Came, I Married a Monster from Outer Space. Tell me you wouldn’t at least pick up I Married A Monster from Outer Space, just to look at it. Then, while we’ll sharing a laugh, I can casually drop in that, if you watch this movie closely, it’s basically about women dealing with marrying a closeted gay man in the 1950s (the husbands look normal to everyone else, but are incapable of emotions, particularly when it comes to showing affection and having sex). Then BAM! You’re hooked.
This can also apply to cool dvd covers, which is why I’m considering putting Attack of the Crab Monsters out as well:
This is mostly for you. It’s great to have the classics and reliable ones out there (again, I don’t know what it is about Planet of Dinosaurs, but I do enjoy that movie), but it’s easy to forget about your more recent purchases. That’s why I have The Abominable Snowman (underrated and, at times, genuinely unsettling) and Caltiki: The Immortal Monster on display–it’s convenient (just throw it in the dvd player) and a nice reminder so that when you’re admiring your collection you can say, “Hey, I forgot I owned From Hell It Came.”
And just like that, you’re ready to have a monster movie display that will be the envy of your friends and won’t annoy your wife at all!
Even though flatscreen TVs have made entertainment centers all but irrelevant, many of us still want items around the TV. Maybe it’s because we want to advertise who we are, maybe it’s so the TV just doesn’t sit alone in some sort of living room limbo. Hell, maybe we just don’t want to walk to the other room every time we want to grab a dvd.
For Claire and me, it’s a minimalist approach with a low TV stand and wall shelves surrounding it (thank you IKEA!). We engaged in a lively debate about what would go on the shelves, which mostly went like this:
ME: How about we put some of my dinosaurs on the shelf!?
Good times! But Claire knows of my love for movies, and so I was put in charge of figuring out what movies to display. I don’t want to exaggerate, but this might be literally the most important task I’ve ever done in my life.
I don’t know the exact number of dvds I have, but I have two large dvd racks (one for monster movies, the other for the rest) that still can’t hold all of my movies. You might be in the same situation. Obviously, you can’t put them all on display in the living room (believe me, I asked), so how do you decide what to display? How did I come up with this incredible display?
Follow these tips, and you’ll have people staring at your dvd collection throughout the fancy dinner party/murder mystery/first date.
Your movie collection says more about you than anything else (at least to other movie lovers). Therefore, you must include some movies that absolutely need to be included. For me, I knew I couldn’t have my movies on display without including King Kong (the extended edition which includes the swamp scene) and The Descent (which I write about from time to time).
No one wants to saunter up to your movie collection to be greeted by a single genre (at least not for your main display). It kills the conversation, eliminates intrigue, and pegs you as a one-trick pony, someone who has a sophisticated action-adventure palette but is lost when it comes to drama. I have everything from sci-fi (Dark City, Planet of the Apes, Star Trek) to westerns (The Magnificent Seven, Unforgiven) to drama (The Usual Suspects, Heat, No Country for Old Men) to comedy (Hot Fuzz). Throw some variety in your grouping. And, as a bonus piece of advice, make sure you mix up the actors/actresses as well. Brad Pitt is fantastic, but we don’t need to celebrate the man’s entire collection.
We get it, you like Lord of the Rings, Indiana Jones (not including the fourth one), and Star Wars (not including the prequels or the Ewoks). So does most everyone else. So why are you wasting our time? Most of the movie series you would want to buy are widely acknowledged as popular, great films, so there’s no need to state the obvious. Plus, space is at a premium, and the bulky packaging of these movie sets (with their booklets and extra dvds) isn’t helping you. If the original theatrical release of the original Star Wars trilogy is ever released in high def, I might make an exception.
You might want to try and hint at a series, but only if the film can stand alone. As you can see, I include Casino Royale because it shows that I am an avid James Bond fan, but also because you don’t have to watch every film before it to understand what is happening. It transcends the series, whereas other films (Lord of the Rings, Star Wars, and Godfather trilogies) are pretty reliant on the others.
Yes, you’re very refined and cultured. But part of the reason you’re displaying movies is to connect with visitors, and if all you have is obscure Czechoslovakian films, then the conversation stops cold (and the eye-rolling probably gets revved up). Limit yourself to one or two (maybe even three or four, though that’s pushing it) to sprinkle into your collection. For me, it’s Battle Royale and TimeCrimes (Princess Mononoke is also on there, but it’s voiced by American actors, so it could go either way). The more appealing, the better. Royale is a fantastic movie (as evidenced by this clip), but not as mainstream, and so it’s something to talk about. If you’ve put your collection together correctly, when people see a movie title they don’t recognize, they’ll ask you about it (because they’ve agreed with your other films–otherwise why are they inside your house?).
This is your living room, not the Disney vault (no Song of the South release date Walt?). Like the foreign films, throw in one or two, and then move on. Along with Princess Mononoke, I also threw in WALL-E (I defy you to find a children’s film with imagery as powerful as the first 10 minutes of that movie…and no, the heartbreaking montage from Up doesn’t count). For me, if I put Aladdin up there, I’d have to put The Little Mermaid up there, along with Beauty and the Beast, Lion King…
You can’t find someone who is going to agree with every movie you love. Hell, even my buddy Jared (pictured here) and I only had 99% agreement when Netflix still allowed friends (granted, that was with 3000+ movies, but it still was not 100%). So you need to take some risks. No one’s going to get to upset with The Shawshank Redemption or Eternal Sunshine of the Spotless Mind, but Brick, The Thing, and Lost Horizon probably turned a few heads.
Hopefully your movie collection is evolving, maybe you even have a few movies that didn’t make the cut that you feel sorry for, or it might just be that you want to change things up. Get a rotation going and just trade out a few movies every once in a while. Next up on my roster is Iron Giant, The Lookout, Oldboy, and probably Mackenna’s Gold. For me, it keeps me interested and makes sure the movie selection doesn’t become stale. Plus, if you have frequent guests, they might even notice that you replaced a few movies! You know, it’s never happened to me, but there’s still hope for you!
At the end of the day, it’s your movie collection, and you’re allowed to include some left field picks. For instance, I included Commando. Is it because it’s one of the best movies I’ve ever seen? No, of course not. But it is the best worst movie I’ve ever seen, and I felt that it deserved to be on display. Just make sure it’s a bold pick that you can defend, and you’ll be the talk of the town.
Now, go re-organize your movie collection!